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cinyma:

When you think about it, Mr. Kane, the competence of totalitarian nations is much higher than ours. They get things done.

Saboteur (1942), Alfred Hitchcock


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rebegagaallen: Do you have a list for Mr Hitchcock's cameos?

If you’re asking for the movies in which he appears he’s on:

yocalio:

I’ve dressed thousands of actors, actresses and animals, but whenever I am asked which star is my personal favorite, I answer, “Grace Kelly.” She is a charming lady, a most gifted actress and, to me, a valued friend. - Edith Head

"Fear isn’t so difficult to understand. After all, weren’t we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It’s just a different wolf. This fright complex is rooted in every individual."

Alfred Hitchcock (August 13th 1889 - April 29th 1980)


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"Fear isn’t so difficult to understand. After all, weren’t we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It’s just a different wolf. This fright complex is rooted in every individual."

Alfred Hitchcock (August 13th 1889 - April 29th 1980)


"I don’t want to film a ‘slice of life’ because people can get that at home, in the street, or even in front of the movie theater. They don’t have to pay money to see a slice of life. And I avoid out-and-out fantasy because people should be able to identify with the characters. Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out. The next factor is the technique of film-making, and in this connection I am against virtuosity for its own sake. Technique should enrich the action. One doesn’t set the camera at a certain angle just because the cameraman happens to be enthusiastic about that spot. The only thing that matters is whether the installation of the camera at a given angle is going to give the scene its maximum impact. The beauty of the image and movement, the rhythm and the effects—everything must be subordinate to the purpose."
Alfred HitchcockAugust 13, 1899 — April 29, 1980

"I don’t want to film a ‘slice of life’ because people can get that at home, in the street, or even in front of the movie theater. They don’t have to pay money to see a slice of life. And I avoid out-and-out fantasy because people should be able to identify with the characters. Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out. The next factor is the technique of film-making, and in this connection I am against virtuosity for its own sake. Technique should enrich the action. One doesn’t set the camera at a certain angle just because the cameraman happens to be enthusiastic about that spot. The only thing that matters is whether the installation of the camera at a given angle is going to give the scene its maximum impact. The beauty of the image and movement, the rhythm and the effects—everything must be subordinate to the purpose."

Alfred Hitchcock
August 13, 1899 — April 29, 1980